|
Nadia Jamil
An
actress par excellence. A thespian. But these are just two facets of Nadia
Jameel. There's a lot more to her than that. She's not Insecure about
revealing her weaknesses, for she's not striving to be perfect always.
She believes that you discover new things in life, you learn from them
and move on. There's no point in holding on to the past. This Is what
I call focus, when you have set your heart to what you want. She has chosen
life as her mentor, a smart choice Indeed, as it offers a whirlpool of
experiences to learn from. Simple Mehreen Jabbar had offered me a long
play prior to that, ‘Shaam say pehle’ but at that time I was busy with
‘Jaanay Anjaanay’ so I couldn’t do that. And when she approached me for
‘Pulti Ghar’ again, I made sure to give up every thing and came to Karachi
right away. My character in Pulti Ghar was quite powerful, the women in
it was most unlike an average Pakistani women. Then Sajid Hassan, Yasir
Nawaz and Sadia Saeed were incredible to work with.
Mehreen has been
a very important milestone of my life. Though our families
know each other and on my return from UK, my mother insisted that
I meet her after she has seriously taken up direction. Honestly,
I wasn't too keen on it and kept delaying it on one pretext or the other
but eventually we did meet. And there has been no looking back for me
ever since. She is the one person who has given a focus and direction
to my life. Because of her I have came across so many other people who
are putting in their heart and soul in this field.Doing Jaanay Anjaanay
was a learning experience, I learnt the mistakes that I must not commit
again in my career. I feel my performance in it was quite direction less
too. Actually I got so excited about the place and the people that I didn’t
concentrate on developing the role, and it failed to make any impact.
And I couldn’t relate to it at all. It was just any other stereotyped
roles that we keep seeing on our television. However, the transformation
that I like playing.
I
thought that acting was all about me, Nadia Jamil. My voice, my make up,
my role. And I was just so tired of my own self that I didn’t work hard
in the beginning. I feel it’s just the opposite now. Every time that I
appear on the screen, I am not Nadia jamil. Do you realize that I am paid
for not being me? So acting is a relief from distancing myself from me.
This way I can explore and experience so many emotions and feelings that
otherwise would just remain bottled up inside me. That’s why I think acting
is a therapeutic exercise. I have been lucky enough to work with people
like Madiha Gauhar, Shoaib Hashmi, Naved Shahzad, Samina Ahmed from whom
I have learnt so much. Had it not been for them I wouldn’t have been able
to sustain myself in this field. My career has followed an interesting
route, every time that my interest in acting takes a plunge, I came across
somebody who renews my love for acting. Like while shooting for a long
play,’Dua’ I met Rana Sheikh, she is such a talented lady with zest for
her work. She made a powerful impression on me. Same is the case with
Ahsan Taalish, son of late Agha Talish Sahib. He assisted Samina pirzada
in Inteha. I have worked with him in, ‘Number 26’ and he is the one director
that I know I would love working with. He is so very talented, dedicated,
and will surely go places. I have great hopes from him.
Growth
is a continuous process, you learn throughout your life. I am the kind
of person who draws my energy from different sources around me. I am definitely
selective of the kind of people I meet, because I don’t want to exhaust
the positive energies within me. As for performances, initially I was
less secure about my TV performances, and my relationship with the camera
was not as strong as I would have wanted but now I am beginning to settle
down. Like my recent project, ‘Dua’ I have actually worked hard at my
character and have dragged it from the inside. As for theater, the more
I do it, the more comfortable I tend to be of the audience with the idea
of a live performance. None of them. At times, in an attempt to bring
out roles, you have to push yourself back, which is really tough. Eventually
a character tends to be influenced with the real you. And avoiding that
is quite tough. This is where my theater exercises and workshop come to
my assistance. In my opinion a versatile actor is one who is comfortable
with all sorts of roles, and his own personality doesn’t get affected
in the process. They don’t have a problem with that. The best aspect of
my family is that they have instilled a sense of freedom in me of choices
that I make in life. I am certain that whatever I decided to do in life,
they won’t object to it, and will accept my decision. This confidence
guard me in taking a step that would be detrimental to them. As a teenager
used to seek the approval of people around me for all my actions. It just
showed how uncomfortable I was with me. Not any more. I have made myself
accept the fact that the only person who can do anything about myself
is me, no one else.
Acting is very temporary
phase, one has to move on if one wants to grow and evolve. I am never
keen about imagining what the future is going to be for what I know I
might not be here to see tomorrow. But direction and writing is where
I could derive a lot of satisfaction. In fact, these days I am working
on the story of a play. I might direct it with Mehreen but nothing is
certain at the moment. Then I intend to assist Ahsan Talish for a series
of mystery plays that he intends to do in future.
|